Female literary style, androgyny, homosexuality, gender identity fluidity in an era of chaos psychosocial (postmodernism) - that's basic concepts inspired me to choose this theme in this work. It is an incursion into literary world of the famous Mrs. Dalloway pairs (1925) and The hours (1998), analyzing how Cunningham, as postmodern gay author assumes the freedom to rewrite some reason, Mrs. Dalloway taboo in the novel that Woolf reminds them only vaguely, in a more veiled: androgyny inherent to every human being, lesbianism or homosexuality stifled. Cunningham takes each of these reasons in the 1920s and their labels carefully filtered through the key points of social emancipation of the twentieth century.