The author, in this paper we propose a less known way of creation of the great composer. You know, in fact that of the approximately 205 compositions that Beethoven left, only ten of them belong to the genre concerts: five piano concertos, one violin, two romances for violin and orchestra, concert and triple Fantasia for piano, choir and orchestra.
After some information strictly related to the historical context of the birth biografico concert, the author makes a thorough analysis of musical structure of the entire work, the result being played again, schematically, the end of the book so that anyone can form, from a glance an overview of architectural work. Particularly interesting are the conclusions, the author comes several characteristic features that make this work to move individually in the concerted music, especially of the Viennese classic.